To install the Passivator, drag this link to your browser’s toolbar: [Passivator].
Now, when you suspect a page of lacking the proper active outlook, click the Passivator, and witness weak writing—yours, that
of your favorite or least favorite weblogger, or that of the New York Times—in its yellow-and-blue glory. The speckled text of long threads on discussion sites (Slashdot, Metafilter) shows some writers
as adverb-and-passive-verb addicts, and others brusque and active. Thrills, chills.
To lose the highlights, reload the page.
“In Opera,” notes Timothy J. Luoma, “as with all bookmarklets, Opera must be set to ‘reuse existing page’ in preferences,
or the bookmarklet must be dragged from the Personal Bar (Opera’s toolbar for such things) onto the page in question.”
Caveats
The adverb matcher also matches non-adverbs like “apply,” “family,” and “only,” because disambiguation and POS-tagging exceed the scope of a
bookmarklet and the author’s capabilities.
As for the passive verb checker, Rory Ewins notes:
…the Passivator should be used with this caveat: ‘was’ and the rest aren’t always passive. You can have a whole page of
wases and ises without any of them being passive.‘The cat was bitten by a dog.’ – passive voice.
‘A dog bit the cat.’ – active voice.
‘The cat was tired.’ – past tense; not passive voice at all.
Although the Passivator is a useful tool for flagging potential offenders, it could be pretty misleading for those who don’t
understand the distinction between passive and active voice.
Rory also pointed me to a guide on the topic, which has this to say:
You can recognize passive-voice expressions because the verb phrase will always include a form of be, such as am, is, was,
were, are, or been. The presence of a be-verb, however, does not necessarily mean that the sentence is in passive voice. Another
way to recognize passive-voice sentences is that they may include a “by the…” phrase after the verb; the agent performing
the action, if named, is the object of the preposition in this phrase.
Later, it wisely says:
Don’t trust the grammar-checking programs in word-processing software. Many grammar checkers flag all passive constructions,
but you may want to keep some that are flagged. Trust your judgement, or ask another human being for their opinion about which
sentence sounds best.
Contra Caveat
It is true that be-form verbs do not always indicate passive construction, but I’ve found that be-form verbs, when they indicate
tense, often appear in sentences that could do better. Sometimes they can just be omitted. “The press seems as gullible today
as they were when they bought his claim.” could also be “The press seems as gullible today as when they bought his claim.”
Sometimes such constructions indicate soft thinking: “The cat was tired,” or “Jim Kerry was angry about the recent vote” aren’t
passive, but neither sentence does much work, and if a piece contains many of them it can indicate laziness on the part of
the writer. Sentences should take responsibility for themselves: “The cat, sleepy, rubbed David’s ankles and mewled—and was
ignored, her desires lost in the gap of language,” or “Angry and frustrated despite the applause, John Kerry stood at the
podium, preparing a response to the just-announced vote in favor of the budget.” So…Rory is correct, but I also find it
worth my time to review every use of a be-form verb in my prose. (In fiction, it is often good to rewrite such sentences from
the point of view of the character closest to the reader. “He walked into the room. Sally was typing a report.” could become,
“Turning the corner, he heard the sound of Sally’s fingers on the keyboard, as she typed her weekly report.”)
Incompatibilities and Quirks
I made an equivalent script work for Internet Explorer, but it fails as a bookmarklet, and after three hours researching the pecadilloes of Internet
Explorer, I gave up on the project. If anyone can modify it to work for IE, let me know and I will link to you, or post the
bookmarklet here.
Repeated invocations on the same page widens the vertical black borders of the highlighted text, which looks bad but hurts
nothing.
Improvements and critical feedback welcome, as always. I have much to learn.
1
Regarding the Passivator |
Links Related To The Passivator
Ftrain.com
PEEK
Ftrain.com is the website of Paul Ford and his pseudonyms. It is showing its age. I’m rewriting the code but it’s taking some
time.
There is a Facebook group.
You will regret following me on Twitter here.
About the author: I’ve been running this website from 1997. For a living I write stories and essays, program computers, edit
things, and help people launch online publications. (LinkedIn). I wrote a novel. I was an editor at Harper’s Magazine for five years; then I was a Contributing Editor; now I am a free agent. I was also on NPR’s All Things Considered for a while. I still write for The Morning News, and some other places.
If you have any questions for me, I am very accessible by email. You can email me at [email protected] and ask me things and I will try to answer. Especially if you want to clarify something or write something critical. I am
glad to clarify things so that you can disagree more effectively.
POKE
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© 1974-2011 Paul Ford
Recent
@20, by Paul Ford.
Not any kind of eulogy, thanks. And no header image, either.
(October 15)
Recent Offsite Work: Code and Prose.
As a hobby I write.
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Facebook and Instagram: When Your Favorite App Sells Out.
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Why I Am Leaving the People of the Red Valley.
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“Facebook and the Epiphanator: An End to Endings?”.
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An essay for TheMorningNews.org.
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Woods+.
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Recorded Entertainment #1, by Paul Ford.
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0h30m w/Photoshop, by Paul Ford.
It’s immediately clear to me now that I’m writing again that I need to come up with some new forms in order to have fun here—so
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Fridays, write for 30 minutes; edit for 20 minutes max; and go whip up some images if necessary, like the big crappy hand
below that’s all meaningful and evocative because it’s retro and zoomed-in. Post it, and leave it alone. Can I do that every
Friday? Yes! Will I? Maybe! But I crave that simple continuity. For today, for absolutely no reason other than that it came
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Soon, orphans.
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Antilunchism, by Paul Ford.
Snack trams.
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Tickler File Forever, by Paul Ford.
I’ll have no one to blame but future me.
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Time’s Inverted Index, by Paul Ford.
(1) When robots write history we can get in trouble with our past selves. (2) Search-generated, “false” chrestomathies and
the historical fallacy.
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